Issue Home

Essays / Ensayos / Ensaios

Another Kind of Love: A Performance of Prosthetic Politics
Debra Levine

Killing as Performance: Violence and the Shaping of Community
Verónica Zebadúa

The Noble Warrior was a Drag Queen
Kerry Swanson

Eréndira a caballo. Acoplamiento de cuerpos e historias en un relato de conquista y resistencia
Ana Cristina Ramirez

The Underskin of the Screen: Performing Embodiment in Through the Looking Glass
Cynthia Bodenhorst

A Critical Regionalism: The Allegorical Performative in Madre por un día
Amy Sara Carroll

Artists' testimonies / Testimonios de artistas / Depoimentos dos artistas

EDEMA/ Colaboratorio de Arte Público: Ritos de Sanación Social
Eduardo Flores Castillo

O que deve ser um corpo da era da cirurgia plástica?
Helena Vieira

In Every Issue:

Humor / Humor / Humor

Reviews / Reseñas / Resenhas

News and Events / Noticias y Eventos / Notícias e Eventos

Activism / Activismo / Ativismo

Links / Enlaces / Links

About Us

The Hemispheric Institute of Performance and Politics is a consortium of institutions, artists, scholars, and activists dedicated to exploring the relationship between expressive behavior (broadly construed as performance) and social and political life in the Americas. By 'performance,' we refer to the many practices and events—dance, theatre, ritual and religious practice, political rallies, funerals—that involve theatrical, rehearsed, or conventional/event-appropriate behavior.

In addition to textual archives, the Institute draws from 'live' practices and visual media (e.g., video, photographs) to explore the ways in which embodied behaviors participate in the transmission of cultural knowledge and social memory and intervene in the struggle for social justice.

 

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Associate Editor: Marcela A. Fuentes

Web design and development: Alexis Lloyd & Woody Sullender

Special thanks to: Amanda Weeden, Wilson Loria, and Marlène Ramírez- Cancio