Facultad de Ciencias Políticas y Sociales (FCPyS)

Dirección / Address / Endereço: Circuito Mario de la Cueva s/n, Ciudad Universitaria, Coyoacán
Accesible para silla de ruedas/ Wheelchair accessible/ Acessível para cadeirantes
(Baños estrechos / Narrow bathrooms / Sanitários estreitos

Published in Encuentro Venues
Monday, 13 May 2019 15:02

Centro Cultural Universitario (CCU)

Centro Cultural Universitario (CCU)

Dirección / Address / Endereço: Insurgentes Sur 3000, Ciudad Universitaria, Coyoacán
Accesible para silla de ruedas/ Wheelchair accessible/ Acessível para cadeirantes
(Baños accesibles en el MUAC / Accessible bathrooms available in MUAC /Sanitários accesíveis no MUAC)

Published in Encuentro Venues
Monday, 13 May 2019 14:59

Centro De Cultura Digital (CCD)

Centro De Cultura Digital (CCD)

Dirección / Address / Endereço: Paseo de la Reforma s/n esquina Lieja, col. Juárez, Cuauhtémoc
Accesible para silla de ruedas/ Wheelchair accessible / Acessível para cadeirantes

Published in Encuentro Venues

LUTO #elenão#elenunca#elejamais

Fascist Brazil! Militarization of politics and daily life! Misogynist in power! Raising flags soaked with menstrual blood reveals the bodies that have been massacred and rendered invisible by this anti-government now in control of Brazilian politics. This is an act of protest which opens up a dialogue with our violent colonial past.

Biography

Talitha Correia Leite Andrade is a Brazilian feminist artivist and full-blown dyke. She holds a Bachelor’s degree in Communication with an emphasis in Cultural Production from the Universidade Federal da Bahia (UFBA), where she is working towards an MA in Creative Processes. Andrade develops feminist urban interventions and is a member of the Arts and Politics research group at the UFBA School of Fine Arts.

Tuesday, 07 May 2019 14:48

Mariana Rotili: MANTOZONA

MANTOZONA

MANTOZONA proposes a dynamic and collective silent walk between the Anthropology Museum and the Zócalo, where we will look for visible and invisible signs of the Silence March, held in Mexico City in 1968. These remains will be embroidered onto a blanket, displayed along the route, and photographed during the Encuentro.

Biography

Mariana Rotili is a performer, photographer, and audiovisual producer. Rotili holds an MA in Performing Arts from the Universidade Estadual de Campinas Art Institute. She is a member of Estúdio de Arte Rebelde, a collective that investigate creative and pedagogical strategies that create frictions in art and activism.

Tuesday, 07 May 2019 14:48

Martha Mendoza: 43 Thought Clouds

43 Thought Clouds

Forty-three thought clouds or vignettes featuring the names of the disappeared students of Ayotzinapa, Guerrero, Mexico, are constructed. This action is a march where we will scatter thought-clouds along the route. The names of students are written between exclamation marks, emulating an outcry.

Biography

Martha Gabriela Mendoza Camacho is a performance artist, theorist, and literature and art critic based in Mexico. She holds a Doctorate in Arts based on her research, "Semiotics of Art Action.” She has published several articles on art and literature, and has participated in workshops with notable artists such as Rocío Boliver and Guillermo Gómez-Peña. She has also participated in performance festivals in Mexico.

Tuesday, 07 May 2019 14:48

Marco Guagnelli: Did we listen?

Did we listen?

Using the EZLN communiqué “Did you listen?” as a point of departure, as well as the memory of the thousands who have disappeared in Mexico as a result of violence, this action evokes a burial. Nature is present only in the omission of bodies. Beneath the soil we hear a whisper—messages from those we cannot hear or those lost in our collective memory.

Biography

Marco Guagnelli is a classically trained actor and performance and social impact artist based in Mexico. He uses interaction, image, and word to interweave stories, theory, and personal and collective narratives that explore social justice, identity, and the relationships between human beings and nature.

95 Minutes of Listening Together

A 95-minute citizenship exercise. A presentation of silent readings along the route of the 1968 Silence March in Mexico. People scream silently; our muted, silenced voice is heard aloud. Excerpts from early 20th-century Colombian novels condemn a conflict over land use and exploitation.

Biography

Ivonne Villamil is a graduate of the Advanced Studies in Critical Practices program from MNCARS, Madrid (2015). She holds an MA in Visual Arts and Education from the Universitat de Barcelona (2011) with specializations in Expositive Project Management from ELISAVA, Barcelona and Art Direction from ESAT, Valencia.

Neocolonial Signage Intervention

Packard Jennings will covertly install signage at a series of neocolonial corporate sites: banks, major corporate buildings, fast-food restaurants, and big box stores. They will be in the style of conventional signage, but the images and text will be modified to be aggressive, provocative, humorous, and critical.

Biography

Packard Jennings is a multi-disciplinary artist from the United States who uses appropriation, humor, and interventionist tactics to explore public spaces and address political and corporate transgressions against public interests. His work has been published in Artforum, Flash Art, the Believer, Adbusters, the Washington Post, and the front page of the New York Times.

Weft Wool: How many underground layers are in this route sustaining the present?

A street performance that uses the materiality of wool to encourage new ways of relating to public spaces, and to the bodies that have lived in these territories. Emergent bodies interrogate the present through weaving and embroidery in a journey of collective transformation.

Biography

The Núcleo Arte, Política y Comunidad (Ana Harcha Cortés, Rodrigo Torres, Alice Abed Chehab, Ana Allende Leal, Marcelo Troncoso, Jorge Patricio Ganem Cortés, Juana Millar) of the University of Chile is a research and creation group comprised of students, academics, and civil society actors and collectives. It was founded in 2014 as a way to bring artistic practice, the archive, and political memory together, and to activate spaces in common.

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