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Yuyachkani: Works (21)

Below you can access photo galleries, videos, and textual resources for selected performances, organized here in alphabetical order. For a chronological list of performances, please see the Complete List of Works by Yuyachkani.

Below you can access photo galleries, videos, and textual resources for selected performances, organized here in alphabetical order. For a chronological list of performances, please see the Complete List of Works by Yuyachkani.

Augusto Casafranca

Adios Ayacucho (1990)

Allpa Rayku (1978)

Allpa Rayku (1978)

Alma viva: para que florezca la memoria (2002)

Alma viva: para que florezca la memoria (2002)

Teresa Ralli

Antígona (2000)

Augusto Casafranca

Cambio de hora (1998)

Contralviento (1989, 1996)

Contralviento (1989, 1996)

El último ensayo (2009)

El último ensayo (2009)

Encuentro de zorros (1985)

Encuentro de zorros (1985)

Hasta Cuándo, Corazón (1994)

Hasta Cuándo, Corazón (1994)

Hecho en el Perú (2001)

Hecho en el Perú (2001)

Debora Correa in Kay Punku

Kay Punku (2007)

Ana Correa, Rebeca Ralli, Lucía Lora

La primera cena (1996)

Amiel Cayo, Augusto Casafranca, Ana Corea, Teresa Ralli y Julián Vargas

Los músicos ambulantes (1983)

Los músicos ambulantes (2002)

Los músicos ambulantes (2002)

No me toquen ese valse (1990)

No me toquen ese valse (1990)

Persistencia de la memoria (1998)

Persistencia de la memoria (1998)

Rosa Cuchillo (2002)

Rosa Cuchillo (2002)

Rosa Cuchillo (2007)

Rosa Cuchillo (2007)

Santiago (2001)

Santiago (2001)

Rebecca Ralli, Julián Vargas

Serenata (1995)

Son de los diablos (1987)

Son de los diablos (1987)

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The Hemispheric Institute at New York University acknowledges with respect the Lenape nation, whose traditional homelands NYU now occupies. We recognize the longstanding significance of these territories for Lenape nations past and present. We acknowledge that we work in a city with the largest urban Native population in the United States. Even as we work to increase the historical awareness of Indigenous exclusion and erasure, we acknowledge the effect of that legacy in educational institutions, at NYU, and across the hemisphere. We are committed to work revealing Indigenous history and life-worlds and to the inclusion of Indigenous voices and participation, in allyship with Indigenous makers and communities across the Americas.

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The Hemispheric Institute gathers artists, scholars, writers, learners, and activists from across the Americas. We focus on social justice and research politically engaged culture and performance. We share this work in digital archives and amplify it through dialogues and public scholarship, residencies, publications, and gatherings. Our dynamic, multilingual network traverses disciplines and borders and is grounded in the fundamental belief that artistic practice and critical reflection can spark lasting cultural change.

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