Mélange of music and dance by contemporary Native American and African American performers, presented at the Francisco Nunes theater in Belo Horizonte, Brazil, as a part of the 5th Encuentro of the Hemispheric Institute of Performance and Politics, titled Performing Heritage: Contemporary Indigenous and Community-Based Practices (http://hemisphericinstitute.org/eng/seminar/brazil2005/index.html). This performance brings together four contemporary American performances drawing from the artists' cultural roots: Quetzal Guerrero (Native American violinist and dancer), Larry Yazzie (Meskwaki/ Dine World Champion Fancy Dancer), David Pleasant (African-American Gullah/Geeche percussion and song, performing with dancer Joyah Pugh), and Dancing Earth (Indigenous Modern Dance collective directed by Rulan Tangen, with the participation of Quetzal Guerrero, Anthony Thosh Collins and Alejandro Meraz). Quetzal Guerrero and Thosh Collins open the evening with a traditional chant from the Salt River Pima-Maricopa indian community, followed by Quetzal's original solo violin piece. Larry Yazzie then performs his dazzling powwow Fancy Dance from Tama, Iowa, followed by the energetic and powerful percussion of African American David Pleasant, who draws on rhythms dating back to slavery in the United States. Dancing Earth performs a dance piece about the creation of the earth, and the evening ends with all performers bringing together their traditions--and the audience--on stage. There is also a post-performance discussion with the artists, in which they talk about the origins and meanings of their performances.

This video documents an evening of music and dance by contemporary Native American and African American performers, presented at the Francisco Nunes theater in Belo Horizonte, Brazil, as a part of the 5th Encuentro of the Hemispheric Institute of Performance and Politics, titled Performing Heritage: Contemporary Indigenous and Community-Based Practices. This performance brings together four contemporary American performances drawing from the artists' cultural roots: Quetzal Guerrero (Native American violinist and dancer), Larry Yazzie (Meskwaki/ Dine World Champion Fancy Dancer), David Pleasant (African-American Gullah/Geeche percussion and song, performing with dancer Joyah Pugh), and Dancing Earth (Indigenous Modern Dance collective directed by Rulan Tangen, with the participation of Quetzal Guerrero, Anthony Thosh Collins and Alejandro Meraz). Quetzal Guerrero and Thosh Collins open the evening with a traditional chant from the Salt River Pima-Maricopa indian community, followed by Quetzal's original solo violin piece. Larry Yazzie then performs his dazzling powwow Fancy Dance from Tama, Iowa, followed by the energetic and powerful percussion of African American David Pleasant, who draws on rhythms dating back to slavery in the United States. Dancing Earth performs a dance piece about the creation of the earth, and the evening ends with all performers bringing together their traditions--and the audience--on stage. There is also a post-performance discussion with the artists, in which they talk about the origins and meanings of their performances.

Dancing Earth performance begins at the 00:30:20 mark.

Entrevista com o Pamyua, conduzida por Andrew McLean durante o 5^o Encuentro do Instituto Hemisférico de Performance e Política, realizado em março de 2005 em Belo Horizonte, Brasil, sob o título Performance e “Raízes”: Práticas Indígenas Contemporâneas e Mobilizações Comunitárias. Nesta entrevista, os quatro membros fundadores do Pamyua, Stephen Blanchett, Phillip Blanchett, Ossie Kairaiuak e Karina Moeller, falam sobre as suas formações, as origens da banda e como a sua música mescla as canções Yup’ik tradicionais com as influências musicais afro-americanas, como a música gospel, o R&B, o jazz e o funk, para criar um estilo nativo novo e único. Eles falam sobre as suas experiências como nativos urbanos e as suas relações com as suas raízes, uma relação que, para eles, tem implicado um delicado processo de negociação cultural entre diferentes tradições e gerações. Dentre outras coisas, eles discutem como eles são vistos pelos Yup’ik mais idosos, os problemas que as suas comunidades estão enfrentando e como eles são encarregados, como novos veículos da cultura Yup’ik, de revitalizar a sua identidade entre os jovens.

Mélange of music and dance by contemporary Native American and African American performers, presented at the Francisco Nunes theater in Belo Horizonte, Brazil, as a part of the 5th Encuentro of the Hemispheric Institute of Performance and Politics, titled Performing Heritage: Contemporary Indigenous and Community-Based Practices. This performance brings together four contemporary American performances drawing from the artists' cultural roots: Quetzal Guerrero (Native American violinist and dancer), Larry Yazzie (Meskwaki/ Dine World Champion Fancy Dancer), David Pleasant (African-American Gullah/Geeche percussion and song, performing with dancer Joyah Pugh), and Dancing Earth (Indigenous Modern Dance collective directed by Rulan Tangen, with the participation of Quetzal Guerrero, Anthony Thosh Collins and Alejandro Meraz). Quetzal Guerrero and Thosh Collins open the evening with a traditional chant from the Salt River Pima-Maricopa indian community, followed by Quetzal's original solo violin piece. Larry Yazzie then performs his dazzling powwow Fancy Dance from Tama, Iowa, followed by the energetic and powerful percussion of African American David Pleasant, who draws on rhythms dating back to slavery in the United States. Dancing Earth performs a dance piece about the creation of the earth, and the evening ends with all performers bringing together their traditions--and the audience--on stage. There is also a post-performance discussion with the artists, in which they talk about the origins and meanings of their performances.

Arctic's (from Alaska and Greenland) performance group Pamyua reinterprets modern traditions of the Inuit and Yup'ik Eskimo through storytelling, music and dance. Pamyua performs Yup'ik danced stories that portray the traditions of the Yup'ik culture in Southwestern Alaska. The quartet also harmonizes ancient and original music that redefine the boundaries of Inuit expression. Pamyua's mixes R&B, jazz, funk, and world music to create a unique new native style. The performances are very dynamic, ranging from traditional dances to Tribalfunk dances—worldmusic.

Additional Links

Pamyua in Concert (2005)
Interview with Pamyua (2005)
Pamyua on 2005 Hemispheric Institute Encuentro Website