Bibliografia

[compilada por Angela Marino Segura, 2008]


Babcock, Granger. "Looking for a Third Space: El Pachuco and Chicano Nationalism in Luis Valdez's Zoot Suit." Staging Difference: Cultural Pluralism in American Theatre and Drama. Ed. Marc Maufort. New York: Peter Lang, 1995.

Broyles-González, Yolanda. "El Teatro Campesino and the Mexican Popular Performance Tradition.” Radical Street Performance: An International Anthology. Ed. by Jan Cohen-Cruz. London, England: Routledge, 1998.

---. El Teatro Campesino: Theater in the Chicano Movement. 1st ed. Austin: U of Texas P, 1994.

Bruce-Novoa, Juan. "El Teatro Campesino de Luis Valdez." Texto Crítico 10, (1978): 65-75.

Contreras, Marcos Ambriz. "El Teatro Campesino de Luis Valdez: Tradiciones e Innovaciones." Diss. U of California at Santa Barbara, 2001.

Davy, Daniel. "The Enigmatic God: Mask and Myth in Zoot Suit." Journal of American Drama and Theatre 15.1 (2003).

De Chiara, Marina. "El Teatro Campesino: Staging Chicano History." America Today: Highways and Labyrinths. Ed. Gigliola Nocera. Siracusa, Italy: Grafià, 2003.

Diamond, Betty Ann. "'Brown Eyed Children of the Sun': The Cultural Politics of El Teatro Campesino." Diss. University of Wisconsin at Madison, 1977.

Fabre, Geneviève. "Dialects of the Masks in El Teatro Campesino: From Images to Ritualized Events." Missions in Conflict: Essays on U.S.-Mexican Relations and Chicano Culture. Eds. Renate von Bardeleben, Dietrich Briesemeister and Juan Bruce-Novoa. Tübingen: Narr, 1986.

Flores, Arturo C. "Acerca Del Teatro Campesino de Luis Valdez." Tramoya: Cuaderno de Teatro 22 (1990): 31-41.

---. "1965-1986: El Teatro Campesino: Algunas Orientaciones Teóricas." Confluencia: Revista Hispánica De Cultura y Literatura 2.2 (1987): 116-121.

Huerta, Jorge A. Chicano Drama: Performance, Society, and Myth. Cambridge Studies in American Theatre and Drama. Vol. 12. Cambridge England; New York: Cambridge University Press, 2000.

---. "Contemporary Chicano Theater.” Chicano Studies: A Multidisciplinary Approach. Eds. Eugene E. García, Francisco A. Lomelí and Isidro D. Ortiz. New York: Teachers Coll. Press, 1984. 135-150.

---. "Chicano Agit-Prop: The Early Actos of El Teatro Campesino." Latin American Theatre Review 10. 2 (1977): 45-58.

Morton, Carlos. "The Teatro Campesino." TDR: A Journal of Performance Studies 18.4 (1974): 71-76.

Saavedra-Vela, Pilar. "El Teatro Campesino: From the Picket Lines to the Recording Studio." Agenda 7. 3 (1977): 14-15.

Valdez, Luis. Mummified Deer and Other Plays. Houston: Arte Público Press, 2005.

---. Zoot Suit and Other Plays. Houston, TX: Arte Público Press, 1992.

---. Let's Go! the Ritchie Valens Story: A Screenplay, Retitled La Bamba. Los Angeles: Writers & Artists Agency, 1985.

---. Pensamiento Serpentino: A Chicano Approach to the Theater of Reality. S.L.: Cucaracha Publications, 1973.

Valdez, Luis and Edna Ochoa. Zoot Suit. Bilingual ed. Houston, TX: Arte Público Press, 2004.

Valdez, Luis and Teatro Campesino. Luis Valdez—Early Works: Actos, Bernabé, and Pensamiento Serpentino. Houston, Tex.: Arte Público Press, 1990.

---. I. San Juan Bautista, Calif.: Menyah Productions, 1971.

Yarbro-Bejarano, Yvonne. "From Acto to Mito: A Critical Appraisal of the Teatro Campesino." Modern Chicano Writers: A Collection of Critical Essays. Eds. Joseph Sommers and Tomás Ybarra-Frausto. Englewood Cliffs, NJ: Prentice-Hall, 1979.